Kit List¶
All 60 studio kits, by category. The number is the kit's position in the All Kits grid.
Product¶

| # | Kit | Lights | Description |
|---|---|---|---|
| 1 | Three Point | 3 | Classic key, fill and rim on a dark grey cyc |
| 2 | Softbox Studio | 4 | Big soft key and fill with a top light, light grey cyc |
| 3 | Packshot | 3 | High top light with twin low fills on bright white |
| 4 | Twin Softbox White | 3 | Two tall softboxes either side, background washed white |
| 5 | Overhead Soft | 2 | One huge overhead softbox with a low front strip |
Portrait¶

| # | Kit | Lights | Description |
|---|---|---|---|
| 6 | Rembrandt | 2 | High 45-degree warm key, faint fill, dark background |
| 7 | Butterfly | 3 | Key high above camera, low bounce fill, lifted background |
| 8 | Loop Light | 3 | Soft key just off-axis, gentle fill and a hair spot |
| 9 | Split Light | 1 | A single side strip lighting exactly half the subject |
| 10 | Clamshell Beauty | 4 | Stacked softboxes above and below plus twin rim strips |
Dramatic¶

| # | Kit | Lights | Description |
|---|---|---|---|
| 11 | Rim on Black | 2 | Two strip lights carving edges out of total black |
| 12 | Silhouette | 1 | Glowing backdrop, subject kept in shadow |
| 13 | Spotlight | 1 | One hard overhead spot pooling on a dark stage |
| 14 | Side Slash | 2 | A raking hard spot from the side with a whisper of fill |
| 15 | Double Kicker | 3 | Twin back kickers with a faint frontal fill |
| 46 | Crossed Theatre Beams | 3 | Two high crossed spotlights with a localized haze volume; amber and blue |
| 47 | Gallery Four Pools | 5 | Four tight overhead museum spots make a repeated floor pattern |
| 50 | Footlight Fan | 3 | Three low upward spots cast tall divergent shadows onto the backdrop |
| 51 | Firelight Moonlight | 3 | Very low warm practical key with a large cool overhead backlight |
| 52 | Sodium Alley | 2 | Tall amber practical above-left, hard low blue side fill, deep shadows |
Colour Mood¶

| # | Kit | Lights | Description |
|---|---|---|---|
| 16 | Teal & Orange | 3 | Warm orange key against a cool teal rim and set |
| 17 | Neon Duo | 2 | Magenta and cyan strips from opposite sides |
| 18 | Pastel Sherbet | 3 | Pink, mint and peach softboxes on a pastel cyc |
| 19 | Cool Blue Rim | 2 | Cool key and a bright rim on a deep blue set |
| 20 | Sunset Gel | 2 | Low orange key with a violet fill |
| 41 | Red Blue Double Shadow | 2 | Two small saturated opposing sources create separate red and blue cast shadows |
| 42 | RGB Shadow Prism | 3 | Three hard RGB sources give multicolored overlapping shadow regions |
| 43 | Amber Violet Cross | 3 | Warm hard side key and violet rear-side key cross on a neutral stage |
| 44 | Acid Green Indigo | 3 | Narrow lime side strip, deep indigo fill, and a cool top accent |
| 45 | Crimson Edge Mono | 3 | Dim cool key, vivid red rim and a crimson wash over the backdrop |
| 48 | Three Gel Stage | 4 | Three distinct colored spot pools with a soft neutral subject key |
| 55 | Signal Stack | 4 | Red, amber, and green practical point lights stacked vertically at camera left |
Glass & Jewellery¶

| # | Kit | Lights | Description |
|---|---|---|---|
| 21 | Glass Edge Strips | 3 | Tall strips behind-left and right define glass edges on black |
| 22 | Backlit Glass | 2 | Bright-field: a lit white wall behind, dark glass outlines |
| 23 | Jewellery Sparkle | 5 | Soft top light plus four pin spots for facet sparkle, in a dome |
| 24 | Metal Gradient | 3 | Big overhead and uneven side banks for long metal reflections |
| 25 | Reflective Black | 3 | Top bank and twin strips over a glossy black floor |
| 36 | Ring Catchlight | 12 | Twelve small area lights make a ring-shaped reflection in the sphere |
| 37 | Square Frame | 5 | Four rectangular softboxes form a square catchlight, with a restrained rear rim |
| 38 | Twin Vertical Strips | 3 | Paired tall narrow boxes at front-left and front-right create two elongated reflections |
| 39 | Ladder Catchlights | 5 | Five horizontal strip lights stack repeated rectangular highlights on the sphere |
| 40 | Hex Halo | 7 | Six amber area lights encircle the reflection, with a blue rear edge |
| 60 | Copper Arc | 8 | Seven warm small softboxes form a curved catchlight; broad neutral side fill |
Natural¶

| # | Kit | Lights | Description |
|---|---|---|---|
| 26 | Daylight Studio | 2 | Crisp sun with a cool skylight fill on white |
| 27 | Window Light | 2 | Tall cool window from the left, warm interior bounce, room corner |
| 28 | Golden Hour | 2 | Low warm sun grazing in, cool sky fill |
| 29 | Overcast | 1 | Shadowless diffuse top light under a grey sky |
| 30 | Moonlight | 2 | Dim blue moon from the side with a cold rim |
Projection¶

| # | Kit | Lights | Description |
|---|---|---|---|
| 31 | Venetian Blinds | 2 | Hard neutral projector through six horizontal slots; low neutral fill |
| 32 | Four Pane Morning | 2 | Warm four-pane window projection with cool ambient fill |
| 33 | Industrial Lattice | 2 | Small rectangular apertures cast a crisp grid across the stage |
| 34 | Diagonal Blade | 2 | Narrow diagonal aperture carves a slash of neutral light; dim blue fill |
| 35 | Canopy Dapple | 2 | Irregular perforated mask produces scattered sun patches, green bounce fill |
| 49 | Cool Slit Warm Bounce | 2 | Cool narrow projection cuts through a broad warm base fill |
| 53 | Aquatic Lattice | 2 | Cyan irregular projected patches and a deep blue broad fill; no caustic simulation required |
| 54 | Warm Window Blue Rim | 3 | Large warm four-pane projection, small blue rear rim, cool low fill |
| 56 | Checker Projection | 2 | Black-and-white checker aperture throws a repeated square illumination pattern |
| 57 | Pinhole Constellation | 2 | A drilled gobo projects many small circular light patches across the objects and floor |
| 58 | Cyan Scanlines | 2 | Cyan horizontal slot projection with a low red opposing strip |
| 59 | Two Tone Blinds | 3 | Opposing warm and cool slotted projectors overlap to create colored bands |